Through the use of martellato and the martellato-lift techniques, a feeling of "solidness" is built up in the introduction and later in the interlude of this setting of the old gospel hymn. The dotted-rhthm melody appears in treble and bass registers and to imitative textures. A full, strong chord ends the piece.
Composer:
Hastings, T.
Arranger:
Mallory, R.
Octaves:
3-5
Copyright:
2002
Level:
3
Rating:
Medium
Classification:
Spiritual Hymn Tune
Technique:
Pl (Pluck)
Voicing:
Handbells, No Choral
Bells Used:
Three Octaves (31) Four Octaves(38) Five Octaves(44)